Suivant ses encouragements, elle passe à la prise de vue. Après des études de journalisme inachevées, elle étudie la sculpture à New York en 1918. Lorsque la vente de ses tirages dépasse son salaire d'assistante et que ce début de succès porte ombrage à Man Ray, leur collaboration s'achève. Directrice artistique de la revue Poursuivant la valorisation de l'œuvre d'Atget, elle publie trois ouvrages en 1964, dont Nos actions 1955), Black and white print, 5 × 7 in
Berenice Abbott (Springfield, 1898 - Monson, 1991)Elle nait à Springfield aux États-Unis.
With Berenice Abbott (1898-1991), urban experience is at the heart of the exhibition: in an America shaken by the Wall Street Crash, her images of 1930s New York convey her fascination with an urban landscape in the throes of dramatic change. Valorisation des collections She once stated, “We live in a world made by science. Fréquentant les artistes de Greenwich village, elle rencontre Marcel Duchamp (1887-1968) et Man Ray (1890-1976) avant de se rendre à Paris pour parfaire son apprentissage. There needs to be a friendly interpreter between science and the layman. De retour à Paris, elle devient entre 1923 et 1925 l'assistante de Man Ray, dont la réputation est bien établie, en commençant par apprendre les techniques du tirage en laboratoire. Berenice Abbott was born on July 17, 1898 in Springfield, Ohio, United States, is American photographer. She sought to create a broadly inclusive collection of photographs that together suggest a vital interaction between three aspects of urban life: the diverse people of the city; the places they live, work and play; and their daily activities. Professionnels They were subsequently presented by the Abbott's life and work are the subject of the 2017 novel Abbott's work is held in the following permanent collections: Berenice Abbott (17 juillet 1898 à Springfield — 9 décembre 1991) est une photographe américaine.Au cours de ses études, elle fréquente rapidement le milieu intellectuel et artistique de Greenwich Village et plus particulièrement Man Ray et Marcel Duchamp. Born as Bernice Abbott, she was a famous American photographer well-known for her monochrome photography of New York City architecture and urban designs of the 1930s. Expositions labellisées Available for sale from Gallery 52, Berenice Abbott, Sea Wall (ca. Moreover, she avoided the merely pretty in favor of what she described as "fantastic" contrasts between the old and the new, and chose her camera angles and lenses to create compositions that either stabilized a subject (if she approved of it), or destabilized it (if she scorned it).Abbott's ideas about New York were highly influenced by As the city and architecture are two main themes in Abbott's photographs, her work has been commented on and reviewed together with the work of Throughout her career, Abbott's photography was very much a reflection of the rise in development of In addition to her photography, Abbott co-founded a company, the "House of Photography," which developed, promoted and sold photographic equipment and devices from 1947 to 1959.Abbott's style of straight photography helped her make important contributions to scientific photography. Her university studies included theater and sculpture.Abbott's subjects were people in the artistic and literary worlds, including French nationals (In early 1929, Abbott visited New York City, ostensibly with the goal of finding an American publisher for Atget's photographs. Les collections Upon seeing the city again, Abbott recognized its photographic potential. Elle s'installe alors dans un modeste studio où se rendent de nombreux artistes et écrivains, dont elle réalise le portrait (C'est par l'entremise de Man Ray que Berenice Abbott découvre le travail d'À sa pratique du portrait et des vues d'architecture s'ajoutent les expérimentations scientifiques auxquelles elle consacre deux décennies, avec cette réflexion comme point de départ : « Nous vivons dans un monde fondé sur la science, mais nous, les non-initiés, nous ne connaissons ni n'apprécions le savoir sur lequel repose notre quotidien ».
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