Victor Skrebneski


"Working with Victor was one of the great privileges of my modeling career," the model wrote on Instagram. When he goes to everybody else’s photography studio, they dress him up, they make him up, they do his hair, and that’s not him, so he wanted to see how he was.

When he set up his studio to shoot a Dewar’s Scotch ad with Orson Welles, he told He shot Welles in a black turtleneck. The rockstar, usually done up in outré fashion, allowed the photographer to shoot him in the nude. Your kindness, your elegance and your genius will never be forgotten. After she opted to take a 10-day assignment in Chicago in lieu of working with Skrebneski, the pair didn't talk for 15 years but eventually reunited and remained close. "He was my first mentor and taught me so much about the art of modeling and photography. I took it inside and gave it to the lady at the desk,” he once told the Sun-Times.
By 1970, he had started an ambitious advertising project with Estée Lauder. His father Joseph was a machinist with International Harvester while his mother Anna kept house, he said in a 2000 interview with the Sun-Times.His early artistic leanings were encouraged by an actress aunt. “Then he would photograph you, and the photograph captured who you really were.”This year he published his 18th book, “Skrebneski Documented.”“Victor was just a genius,” said socialite and novelist Sugar Rautbord, whom he photographed for her book jackets. Skrebneski shot supermodels and supermodels in the making. New images appeared in magazines monthly. Skrebneski photographed Cardinal Joseph Bernardin; President Barack and Michelle Obama; Andy Warhol; Oprah Winfrey; Truman Capote, a sleek Diana Ross; and a shirtless Muddy Waters holding a bullfrog.There were fashion ads for Chanel, Ralph Lauren, Marshall Field’s, Saks. “Everybody wanted to be photographed in the black turtleneck – they wanted the one that Orson Welles wore,” Mr. Skrebneski said in an interview with He captured images of Bette Davis, Audrey Hepburn, Raquel Welch, director Francois Truffaut and, in one picture, three seasons of Hollywood carousers: Walter Huston, John Ford in eyepatch and Dennis Hopper in full hippie regalia.And he drew major notice in 1967 when he photographed Vanessa Redgrave, hair streaming like a Valkyrie, shortly after she starred in “Blow-Up.”He shot Iman and her husband David Bowie.

Victor Skrebneski is the photographer and the text is by Laura Jacobs. Skrebneski was also close with David Bowie and his wife Iman. “Victor was groundbreaking in the area of advertising,” said publicist Dori Wilson, whom he photographed as a model.“He was the first time ever that Estee Lauder used a photographer. “She said if no one picked it up in a week, I could have it.”When no one claimed it, he started shooting photos.“Ever since he was small, that’s all he wanted to do,” said restaurateur Joey Mondelli, an owner of La Scarola, where Mr. Skrebneski often dined.He tried his hand at painting as a youth. “Your kindness, your elegance and your genius will never be forgotten.”His fashion shoots were sumptuous. He made everyone look as beautiful as if they were in a film noir.

Mr. Skrebneski’s friends included the artists Erte, Alberto Giacometti and César Domela.He attended Waller High School, the School of the Art Institute and the Institute of Design at the Illinois Institute of Technology, according to the Museum of Contemporary Photography at Columbia College Chicago.“I love it here ... Chicago is an anchor for me,” he told the Sun-Times in 2014.“We don’t have many celebrities in Chicago, not as many things to look at as in New York, just some very rich people who live very well and do it very quietly,” he told the Daily News. Use of and/or registration on any portion of this site constitutes acceptance of our "I didn't understand anything about taking pictures, but my first mentor was Victor Skrebneski, a great Chicago photographer, old school like the [Irving] Penns and the Avedons, and he really taught me so much about understanding clothes, light, and how to fill the space," CrawfordThough, the growth of Crawford's career put a strain on their working relationship.

Victor Skrebneski, Chicago’s photographer to the stars, dies at 90 “He puts you right at ease, and he doesn’t shoot a lot of film. This book is used but in PRISTINE condition. He helped discover Jennifer Beals and a teenaged Cindy Crawford, and he featured a young Paulina Porizkova in Estee Lauder ads.“He was my first mentor and taught me so much about the art of modeling and photography,” Crawford said. Those years I spent on his set under the beautiful lighting being directed by a true artist, prepared me for my life in fashion, but also, his elegance and sophistication shaped my definition of a true gentleman." For 15 years he shot the model Karen Graham in black and white against opulent, luxurious settings as the "Estée Lauder woman." It’s beautiful and one of my favorites.”Mr.

I know that in some New York restaurants, it’s important for status to sit in the front room, but I like the back room, where you can look out and see all the people.” A fabulous, gorgeous book if you just use it as a coffee table find. The Chicago-based, universally acclaimed photographer died Saturday of cancer, according to friends and business associates. The book includes the creations of many of the luminaries of the fashion world, such as Chanel, Dior, Ferre, Yves Saint Laurent, Ungaro, Versace, & many more.. Also in the '70s, he shot Diana Ross in images to promote the film In the '80s, Skrebneski met a young local model by the name of Cindy Crawford and shot her extensively for various campaigns.

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