He began his studies at the age of ten and made his professional debut at the age of 14 performing the Handel Aria “Let the Bright Seraphim” with coloratura soprano Elizabeth Phinney. Sought after internationally for master classes, Mr. Burns is on faculty at the DePaul University School of Music, a certified teacher of The Art of Practicing and Performing Beyond Fear, a visiting lecturer at Northwestern University, visiting lecturer with the Amici della Musica Firenze, Italy, and a former tenured Professor of Music at Indiana University.
Burns will join theDePaul School of Music faculty next fall as an adjunct professor of trumpet.
Conductor, trumpet virtuoso, and composer Stephen Burns has been acclaimed on four continents for his consistently and widely varied performances encompassing recitals, orchestral appearances, chamber ensemble engagements, and innovative multi-media presentations involving … The first concert was a mix of classical and contemporary. On tour in the Far East he won rave reviews, which singled out his remarkable tone, musicianship, and technical facility. STEPHEN BURNS-Artistic Director Conductor, trumpet virtuoso, and composer Stephen Burns is the Artistic Director of the Fulcrum Point New Music Project in Chicago. Ray-Kallay Duo).… "Something I think about all the time is when one of my previous writing mentors, Terrance Hayes, mentioned that th… Watch the Quintilia Ensemble perform Andrew Noseworthy's "I'm Sure You Will." John von Rhein refused to cover the concert…until the Sunday before the NY Times ran a cover story on Gruber. “Essential Art: Essential Elements” was a 5-year exploration of music, art, dance, and technology using the elements as metaphors for human endeavors.My favorite was the Midwest Premiere of Mark Anthony Turnage’s 90-minute “Blood on the Floor” for jazz trio and chamber orchestra, which we did three years before he was named CSO’s composer in residence.
In the process he created the Fulcrum Point New Music Project and the American Concerto Orchestra whose mission it is to champion New Art Music influenced and inspired by Pop culture, World Music, literature, film, art, theatre, dance, nature, politics, and social dynamics. Winner of the Young Concert Artists International Auditions, Mr. Burns is an Avery Fisher Career Grant recipient and Maurice André International Competition 1st Grand Prix Lauréat.
Yunnan Folk Songs. These audience interactive events are fascinating, heartfelt confluences of creativity and passion. Conductor, trumpet virtuoso, and composer Stephen Burns is the Artistic Director of the Fulcrum Point New Music Project in Chicago. "Fanfare for Humanity” was commissioned for the Chicago Humanities Festival. Some players improvise in a Jazz style, some don’t. In 2007 he was commissioned by the Renaissance Society at the University of Chicago to write the electro-acoustic version of Reveille, “Wake Up, Y’all” as part of the Allora/Calzadilla installation “Wake Up.” “Fanfare for Humanity” was commissioned by the Chicago Humanities Festival for the 2003 opening Gala. He has been acclaimed on four continents for his consistently and widely varied performances encompassing recitals, orchestral appearances, chamber ensemble engagements, and innovative multi-media presentations involving video, dance theatre, and … Seth Parker Woods, our Curator of Inclusion and Discoveries, is working with California composer David Coll on ‘68, a new multimedia, music and theater work inspired by the Haymarket Riots and the political unrest of 1968. Throughout his career he has appeared with many leading international orchestras including the Atlanta Symphony under Neeme Jarvi, The Los Angeles Chamber Orchestra under Iona Brown, The Ensemble Orchestral de Paris, The Arturo Toscanini Orchestra of Parma, the Japan National Philharmonic, Seattle Symphony under Gerard Schwarz, and a United States tour with the Leipzig Kammerorkester.
He will become an integral part of the trumpet studio as well as leading liberal arts and performance courses at the School of Music in the 2020-2021 academic year. We’re partnering with Chicago Opera Theater in February for the World Premiere of Stewart Copeland’s opera “The Invention of Morel.” We just received another MacArthur International Connections grant to commission Javier Á lvarez to write a new electroacoustic piece using technology developed by young tech entrepreneurs in Chicago and Mexico. New Submission His composition “Reflections,” a work created in collaboration with choreographer Ruby Shang, was performed around the Henry Moore reflecting pool at Lincoln Center in 1989. We had concert dance parties of new music inspired by Jazz, Funk, Blues, Rock and Latin, followed by party music played by a DJ or band with dancing, food, and drinks. I have to choose wisely and trust that musicians will accept the invitation only if they feel they can “hang.”2017 is an incredible launch pad for us. Trumpet virtuoso, conductor, and composer Stephen Burns is the Founder and Artistic Director of the Fulcrum Point New Music Project in Chicago, Illinois. His recital programs often feature his own transcriptions of Falla’s El Amor Brujo, Prokofiev’s Lt. Kije, and Mussorgsky’s Pictures at an Exhibition, the latter scored for trumpet, cornet, flugelhorn, piccolo trumpet, bass trumpet, and piano.In 1998 Stephen Burns was invited to create innovative new music programs as the Artist in Residence with Performing Arts Chicago. 1 fan. His recordings include Telemann for Trumpet, with the American Concerto Orchestra, on Dorian, The Complete Sonatas for Brass by Paul Hindemith on Helicon, The Complete Brandenburg Concerti with Helmuth Rilling on Haenssler Classics, and Trumpet Voluntary on ASV records.
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