‘El alma del que estoy amando’ is best translated, I think, as ‘the soul of him who I am loving’ – i.e. It has been translated into countless languages; therefore it only gains popularity in places of struggle and in need of peace. ‘Ladridos’ doesn’t translate as ‘bricks’ (that’s ‘ladrillos’); ‘el oído’ would normally be translated here as ‘hearing’; ‘el llanto’ doesn’t translate as ‘mourning’ (that’s ‘duelo’ or ‘luto’); …
right now, at this moment. Gracias a la vida, que me ha dado tanto. Gracias a la vida que me ha dado tanto Me dio el corazón que agita su marco Cuando miro el fruto del cerebro humano, La ruta del alma del que estoy amando.
Thank you [(my) thanks] to (the) life that has given me so much Mother, friend, brother, and illuminating/enlightening light GRACIAS A LA VIDA es una canción de Violeta Parra, este tema está incluido dentro del disco La magia de. Translation of 'Gracias a la vida' by Violeta Parra (Violeta del Carmen Parra Sandoval ) from Spanish to English Deutsch English Español Français Hungarian Italiano Nederlands Polski Português (Brasil) Română Svenska Türkçe Ελληνικά Български Русский Српски العربية 日本語 한국어 Cuando miro el fondo de tus ojos claros.
‘The soul of my lover’ would be translated as ‘el alma de mi amante’ [or ‘amado’ – NOT ‘amando’]. This genre lines up with the folk revival in America and Europe, as all over the world people fought for their rights, such as race, gender, and more.
The word ‘perfecto’ in the first verse actually means ‘perfect’, not ‘perfectly’, but has been used by Violeta Parra Sandoval presumably for rhythmic reasons: a bit of poetic licence. Gracias a la vida que me ha dado tanto Me dio dos luceros, que cuando los abro Perfecto distingo lo negro del blanco Y en el alto cielo su fondo estrellado Y en las multitudes el hombre que yo amo. Parra composed "Gracias a la vida" in La Paz in 1966 , and the song was released on Las Últimas Composiciones, the last album Parra published before committing suicide in 1967. The song is one of Parra's most renowned and is performed throughout the world, and remains as one of the most covered It’s a moot point whether the original writer meant what we in English would mean by ‘the life’ or simply ‘life’ – hence the word in brackets.
Me ha dado la risa y me ha dado el llanto.
(The Spanish progressive present tense is used only to express an action that’s happening at this moment, not an action I habitually do or a state I’m habitually in.) The ‘way’ of the soul, i.e.
Many Spanish speakers would make no clear distinction, in their minds, between ‘life’ and ‘the life’, unless it was in reference to ‘the life of a great leader’ or similar, and in any case the English ‘life’ and the English ‘the life’ would both be translated here as ‘la vida’. ‘The soul of him who I love’ (who might NOT be my lover: i.e. And the voice so tender of my darling love/beloved Cuando miro el fruto del cerebro humano. João Bosco escreve texto emocionante para parceiro Aldir Blanc. Gracias a la vida, que me ha dado tanto. Gracias a la vida, que me ha dado tanto Me ha dado el sonido del abecedario Con él las palabras que pienso y declaro Madre amigo hermano Y luz alumbrando, la ruta del alma del que estoy amando
how it behaves, would most definitely not be translated as ‘la ruta’.
Most notably, Joan Baez, the leader of folk in the States, covered it in 1974. I made my translation of Gracias a la vida for my wife a few years ago (we’re both fans of Joan Baez). The song keeps to this genre, therefore including traditional folk elements such as indigenous sounds, and was not meant for commercial success. ‘The way to/toward the soul of my lover’ [i.e the route, how to get there] would be ‘el camino/la ruta del alma de mi amante’ [or ‘amado’]. Gracias a la Vida (Thanks to Life) was first written and sung by Victoria Parra, the mother of Nueva Canción. I have some concerns about the currently posted translation (26/6/15) of Gracias a la vida. The song was created out of Parra’s horrific personal life, and now carries a legend of political oppression with it. Si la vida te da cosas buenas disfrútalas y da gracias por recibir esos dones, si la vida te da cosas malas supéralas y aprovéchalas para convertirte en alguien más fuerte. might not love ME, and who ALSO might not be the person I’m loving right at this moment) would usually be translated as ‘el alma del que (yo) quiero’, although ‘amo’ could be used too, and might be chosen for this song for rhyming reasons.
"Gracias a la vida" (Spanish for "Thanks to life") is a song composed and first performed by Chilean musician Violeta Parra, one of the artists who set the basis for the movement known as Nueva Canción.
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