I had been sitting in the back seat of the car with Sue Catwoman-esque Stripper and she was kissing my forehead. People who could show me as much as I could them.And I finally discovered a few of them among this new gang. Partners in crime. As for the music, I am going to be writing about a diverse range of stuff I’ve seen and listened to through the years, so it’s impossible for someone to be into all of the same things. I sometimes felt like a tourist visiting the concept of friendship rather than being a tax-paying resident whereas I think I unconsciously knew he was simply a visitor to Fast forward a few years and I’m meeting my later-teens gang, especially Bump, Mara, and then Château (although there were also other less-music focussed pals in the picture that I haven’t written about). Miss Bennies waitressed at a few places, had a passion for hardcore without being anything like the standard hardcore drone, and could do remarkable replications of Curly of the Three Stooges’ “whoop whoop whoop.” Lots of Minor Threat and MDC when Miss Bennies was around. That With the second wave in the city, spanning approximately 1980 through ’82, I had minimal involvement at best. 6,345 views, added to favorites 87 times. But it is from this point onwards that I will be writing about a number of people who have played an ongoing role in my life — and that got me to thinking: Why is that line in the sand drawn While it’s no coincidence that things change forever for me at that point, it’s not like I was friendless or anything pre-20s. Now let’s get drunk on cheap wine. I bow to you, Keka, I bow, etc.
While some missed punk the first time around because they were too young or it was simply too obscure a phenomenon over here, a lot of that second wave was composed of those too stupid and ultimately too conservative to have gotten on board earlier when it Count Mara in particular had friends who were very involved in what was happening in the scene at that time and whenever he would introduce me to those second wavers, I usually came away thinking “wow, what a tool!”As always, there is an action/re-action, and this third wave was partially a backlash against the suffocating, redneck-y conformity.
I hope I am that “home” place for them as well.Scarlett: That Ramones/SMOASP is in the book as an addendum, with pics he took of them backstage.lschmoopie: I think I know which bit you meant to copy and, yes, it is important for each of us to have those kinds of connections in our lives.I come to your posts even if I don’t connect with the music. This category only includes cookies that ensures basic functionalities and security features of the website.
R.E.M., Nirvana and countless others have acknowledged their debt to the Gang of Four, while acts such as The Rapture and Bloc Party recycled elements of the band’s sound during the ’00s.
The band’s fourth and final album from its original period, the ironically named Since then, variations on the full or partial line-ups have reunited at different points in the ’90s and ’00s, although the current King-Gill version has been an ongoing working entity for several years now. I wasn’t familiar with Gang of Four though I’d heard of them. These cookies will be stored in your browser only with your consent.
That’s great that you got to see them recently too.
Former Shadowy Men drummer Don Pyle has just released an excellent photo book, Trouble in the Camera Club, of shots he took at Toronto punk shows from 1976-80. At that point, the wheels truly came off the cart. Think I’ll have to read through the old pages and catch up? It wasn’t just that I found people who “liked” me, I found people who finally “got” me. These days, I’m more of a higher end Pinot Noir kinda guy.Linda: Funnily enough, my son and hubster were just telling me about the Cloud yesterday … synchronicity. Actually, that song is coming up in Pt. bands from the UK, US hardcore, and plain old “’77-will-never-die!”-style stuff as opposed to the more experimental and forward-looking post-punk music of the era or its poppier or more groove-based offshoots.My theory behind it goes something like this: whenever I would read seemingly serial press accounts during the ’70s that tended to get the punk scene wrong, with the most unironically stupid and thuggish elements foregrounded in bold face, I would think “why does this not reflect my reality or the people I know?” Sure some troglodytes were part of the picture, but they were more the minority from my perspective and not really taken seriously. I had been looking for these people and now here they all were: the resident bizarros from neighbourhoods across the city, coalescing.The accumulating social snowball of key friendships during my 20s started rolling and continued to do so throughout the next decade.
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