Even with Marlene Dietrich in it. I'm definitely not as skeptical and negative towards the combination "horror + musical" as most people are, or at least I like to think I'm not. The vicious killer pops up again as well, and expresses his/her hatred towards musicals by butchering people left and right. Stage Fright (Italian: Deliria) is a 1987 Italian slasher film directed by Michael Soavi, and starring Barbara Cupisti, David Brandon, and Giovanni Lombardo Radice. Of course, on the whole, the film surprisingly falls flat, having potential that Hitchcock just couldn't do as much justice as he did with most of his projects, even when it comes to the thrills. Charlotte admits planning her husband's death, but says that Jonathan actually committed the murder. This 1950 thriller is minor only by the standards of genius. A couple who have been married for three years are shocked to learn that their marriage is not legally valid. Critical reception has been mixed to negative. We want to hear what you have to say but need to verify your email.
Video of Stage Fright (1950) - Full Movie for fans of Alfred Hitchcock. 12,004 votes Genres Thriller. Hm, well, it's an Alfred Hitchcock film that is ever so subtly titled "Stage Fright", so do you reckon that this is some kind of a thriller or something? | Again, there's enough charm to the inspired areas in this film for the final product to be almost saved as fair, but at the same time, the lazy areas frustrate, and are ultimately most recurring, boring and distancing you until the final product finally sputters out as mediocre, despite its promising spots.
Everyone sings Sondheim-esque tunes, even the killer, but his musical styling is about as far from the brassy Broadway musical theater genre as it can get. Well, not even the relatively decent performances are all that inspired, but what the film lacks in an endearing lead it all but makes up for with an endearing supporting cast, just as the story has enough intriguing ideas to all but make up for the fall-flat aspects. Okay, so the opening massacre is awesome. When I say that this is a very formulaic Hitchcock effort, I really do mean that this film is trite, and not just as a Hitchcock effort, being ostensibly driven by its mystery, which is shaken by the overwhelming predictability which reinforces a sense that this film's storytelling has nothing new to say, and is apparently aware of that, to where it barely bothers saying anything all that extensively at all. Camilla sees her chance to follow into the footsteps of her mother and auditions for the female lead role, much against the will of other girl campers and her own brother Buddy. Choose an adventure below and discover your next favorite movie or TV show.Keep track of everything you watch; tell your friends. I think that this film has its comedic occasions... or its intense occasions, I can't tell, because, make no bones about, this film is British something fierce, ostensibly to commemorate Hitchcock's return to the London soundstage.
out songs in the movie “Stage Fright.” There’s a man in the shadows In kabuki disguise And a blade shinin’ oh-so-bright. Randy T Super Reviewer. I just for the life of me could not get into this film.
She quickly realizes she was abducted by a serial killer and she must fight to survive.
Sidney Poitier’s 7 Most Memorable Performances
Detective Smith tells the commodore that Jonathan really did kill Mr. Inwood and that Jonathan has killed before, though he got off on a plea of self-defence. 38 of 44 people found this review helpful. Those school bullies sound awful bad.
Language English. On the eve of World War II, a young American reporter tries to expose enemy agents in London. When a ghost story around the campfire awakens an evil monster, it's up to nerdy Danny Zigwitz to be the hero and save his fellow campers from a bloody massacre. Check out our list of the month's most anticipated films and shows to stream from home.Want to share IMDb's rating on your own site? View All Photos (6) A young gentleman goes to Australia where he reunites with his now married childhood sweetheart, only to find out she has become an alcoholic and harbors dark secrets.
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Well, looking at the money that Hitchcock made before his major decade of the '50s in Hollywood, I'm betting Britain was glad to get those pounds back on, both in the British monetary sense and, of course, in the American weight sense. His friend Eve Gill offers to hide him and Jonathan explains to her that his lover, actress Charlotte Inwood is the real murderer.
Soavi shows he has learnt a lot stylistically from Argento, and I actually enjoyed this more than many of the latters post 'Tenebre' … Perhaps the film's dramatic core could have stood a more solid chance of proving effective if it wasn't so blasted histrionic, on top of flat in momentum, being bloated with melodramatics that are sometimes near-embarrassing and consistently distancing, with a certain cheesiness that further reflects the laziness which does the final product's decency.
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